i fell in love with the parks' kitchen the first time i watched bong joon-ho's parasite.

there's a sort of cruelty to its seemingly flawless brutalist interior. clean lines, cold surfaces, and every object placed exactly where it should be.

reconstructing it from scratch meant obsessing over things nobody notices unless they're wrong. a single odd-looking material would immediately break the illusion. my focus was set on believability, not complexity.